Description
VTG Art News Magazine October 1956 White Seaweed on Orange and Red No Label
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ART NEWS
October 1956, Volume 55, Number 6
Articles
- The material and spiritual worlds of Henri Matisse - Georges Duthuit, Page 22
- Why can’t the English learn to paint? - Alan Clutton-Brock, Page 26
- Lippold makes a construction - Lawrence Campbell, Page 30
- Totems in steel - Howard Griffin, Page 34
- Introducing the paintings of George Of, 1876-1954 - Walter Pach, Page 36
- Ivory towers, temples and steeples - Alfred Frankfurter, Page 39
- Monet: Tithonus at Giverny - Thomas B. Hess, Page 42
- Renoir: as if by magic - Elaine de Kooning, Page 43
- Autumn bookshelf - Edwin Denby, Page 44
- Prodigious Diaghilev - Page 46
- Narcissus 1920 - Julien Levy, Page 47
- One man’s art U.S.A. - Alfonso Ossorio, Page 47
- In Florentine workshops - André Chastel, Page 48
Major Illustrations
- Project for the walls of a swimming pool - Matisse, Page 22
- Marly from the Terrace of St. Germain-en-Laye - Bonington (colorplate), Page 27
- Salisbury Cathedral from the River - Constable (colorplate), Page 27
- Cicely Hay - Sickert (colorplate), Page 28
- The Sun - Lippold, Page 30
- Girl with Falcon - Renoir (colorplate, detail), Page 45
- Curtain for Bal - Chirico (colorplate), Page 45
- Decor for Shéhérazade - Bakst (colorplate), Page 45
Departments
- Reviews and previews - Page 6
- Editor’s letters - Page 12
- Art news international - Page 13
- Amateur standing - Aaron Berkman, Page 14
- Art in antiques: New York - Babette Craven, Page 16
- The print collector - Irvin Haas, Page 18
- Coming auctions - Page 19
- Editorial - Page 21
- Art news from London - Lawrence Alloway, Page 49
- Art news from Los Angeles - Jules Langsner, Page 50
- Report from Venice, Part II - Milton Gendel, Page 51
- New sources, new materials - Page 68
- Where and when to exhibit - Page 69
- Competitions, scholarships - Page 69
- The exhibition calendar - Page 69
Cover The cover image features a work by Henri Matisse titled White Seaweed on Orange and Red, a bright gouache cutout made during the last years of Matisse’s life. The artwork symbolizes his enduring and final burst of color and creativity.
