The Paris Review Magazine Spring 1996 No. 138 George Plimpton No Label VG


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Sale price$29.95

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The Paris Review Magazine Spring 1996 No. 138 George Plimpton – VG Condition, No Label

This Spring 1996 issue of The Paris Review (No. 138) is in very good condition with only minor wear on the edges. A standout volume featuring George Plimpton’s Terry Southern Portfolio, Trainspotting author Irvine Welsh, and new fiction by Junot Díaz and Milan Kundera, along with three major interviews:
John Gregory Dunne – The Art of Screenwriting II
Richard Price – The Art of Fiction CXLIV
Billy Wilder – The Art of Screenwriting I

The item pictured is exactly the item you will receive. All our magazines come with a plastic protective covering.
Combined shipping is available upon request.


Contents:

Interviews

  • John Gregory Dunne – The Art of Screenwriting II – p. 11

  • Richard Price – The Art of Fiction CXLIV – p. 78

  • Billy Wilder – The Art of Screenwriting I – p. 142


Fiction

  • Jaime Collyer – A Businessman Disappears – p. 242

  • Junot Díaz – Edison, New Jersey – p. 23

  • Milan Kundera – From Slowness – p. 33

  • Brady Udall – Letting Loose the Hounds – p. 112


Features

  • George Plimpton – A Terry Southern Portfolio – p. 194

  • Irvine Welsh – Trainspotting Glossary – p. 185

  • The Man in the Back Row Has a Question II – p. 309


Art

  • Cover: Joyce Pensato – Four Mice

  • Sarah Plimpton – Nothing Could Be Said – p. 189

  • Lorna Simpson – Nine Props – p. 72

  • Table of Contents Illustration: Richard Gaffney – Dicentra II

  • Frontispiece: William Pène du Bois


Poetry

Includes contributions from:

  • Anthony Hecht – Two Poems

  • Michael Heffernan – Six Poems

  • S.X. Rosenstock – Six Poems

  • David Wojahn – Before the Words – p. 352

  • James Longenbach, Bruce Bond, Lisa Gorton, Mark Wunderlich, Shawn Sturgeon, and many others


Notes on Contributors – p. 300
Notice – p. 20


A superb collectible for readers of The Paris Review, screenwriting enthusiasts, and literary magazine collectors.

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