Description
The Paris Review Magazine – Fall 1999 – No. 152 – Richard Brown Baker | No Label | Good Condition
This listing is for The Paris Review, Fall 1999, Issue No. 152, presented in good condition with standard wear for its age. The item shown in the listing photographs is exactly what you will receive. Please refer to images for detailed condition.
All items are shipped with a plastic protective covering, and combined shipping is available upon request.
This edition features an exceptional range of literary and artistic contributions, including interviews, fiction, poetry, and visual art. Notably, it contains the feature essay The Days and Nights of a Collector by renowned art patron Richard Brown Baker.
Interviews
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Tahar ben Jelloun – The Art of Fiction CLIX (p. 40)
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David McCullough – The Art of Biography II (p. 138)
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Arthur Miller – The Art of Theater II, Part I (p. 208)
Fiction
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T. Coraghessan Boyle – Going Down (p. 63)
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Robert Antoni – My Grandmother’s Tale of How Crab-o Lost His Head (p. 74)
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Jane Avrich – La Belle Dame sans Merci (p. 108)
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Günter Grass – My Century (p. 116)
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Quentin Rowan – Incidents Abroad (p. 161)
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Anton Chekhov – What You Usually Find in Novels (p. 166)
Feature
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Richard Brown Baker – The Days and Nights of a Collector (p. 179)
Art & Interviews
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Ashley Bickerton – Five Paintings (p. 93)
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Anthony Haden-Guest – Interview with Ashley Bickerton (p. 87)
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Gary Hume – Doves and Eyes (Pink) (p. 83)
Poetry
Includes works by:
Nathaniel Bellows, Larry Bradley, Sharon Bryan, Nicholas Christopher, Billy Collins, John Drury, Jason Fales, Barbara Fischer, Allison Funk, Alex Halberstadt, Daniel Hall, Barbara Hamby, Debra Henry, Bob Hicok, Tom Hueck, David Kulczyk, J.D. McClatchy, Andrew McCord, Richard Meier, Sarah Messer, Robert Richman, Brian Swann, and Baron Wormser.
Additional Information
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Notes on Contributors – p. 255
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Table of Contents Illustration by Alex Van Rensselaer – Charcoal on Paper
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Frontispiece by William Pène du Bois
A compelling issue for readers and collectors alike, this volume captures both literary excellence and visual creativity from an influential period in The Paris Review's history.