Down Beat Magazine February 1968 Vol 35 No. 3 Coleman Hawkins Cover


Price:
Sale price$19.95

Description

Down Beat Magazine February 1968 Vol. 35 No. 3 Coleman Hawkins Cover

The condition of the item is in acceptable condition with good interior. This item has creases on the front, along with marks and wear within. There may be additional marks and rips as well. The item being pictured in this listing is the exactly the same item you will receive.
Please check picture for condition purposes.
We do offer combined shipping, just ask.
All of our items come with a plastic protective covering.

Table of Contents

  • 6 – Chords and Discords

  • 13 – News

  • 15 – Bystander, by Martin Williams

  • 15 – Strictly Ad Lib

  • 16Sittin’ In: A Trip to Disneyland, by Art Hodes

  • 18Dues Paid – Saxophonist-arranger Budd Johnson’s story, from his first horn and barnstorming days to his associations with famous bands, as told to Michael Zwerin.

  • 21Richie Havens—Brooklyn Troubador – Incubated in Greenwich Village coffee-houses, this young guitarist-sitarist-singer-composer is on his way up. By Chris Albertson

  • 22Steve Kuhn – An interview with the young pianist. By Martin Williams

  • 24Jazz Audience Behavior: Some Sour Notes – Though necessary to a live performance, audiences can become a hangup. By Gus Matzorkis

  • 26 – Caught in the Act: Coleman Hawkins • Stuff Smith Memorial • Dud Bascomb/Etta Jones • Stan Getz • Tommy Vig • Stephane Grappelly/Memphis Slim • Elvin Jones

  • 28 – Record Reviews

  • 31 – Soul Stirrings, by Bob Porter

  • 33 – Blindfold Test: Herbie Mann

  • 39 – Book Reviews: New Orleans JazzMojo Hand

  • 46 – Where and When: A Guide to Current Jazz Attractions

Cover photo: Ron Howard

Collector’s Note:
This issue holds special significance as it features tenor saxophone giant Coleman Hawkins on the cover, a rare honor for the pioneering figure often credited with establishing the saxophone as a lead jazz instrument. Inside, readers will also find a career-spanning feature on Budd Johnson and early coverage of rising talent Richie Havens, making this a compelling piece for collectors interested in both jazz legends and emerging voices of the late 1960s.

You may also like

Recently viewed