Description
Cinefantastique Magazine – Spring 1989 (Vol. 9, Nos. 3 & 4) – The Black Hole – VG, No Label
This Spring 1979 double issue of Cinefantastique (Volume 9, Numbers 3 & 4) is dedicated to Disney’s The Black Hole, presenting an in-depth exploration of the studio’s ambitious $18 million science-fiction adventure. Featuring interviews with 25 Disney artists and technicians, Paul M. Sammon’s article offers a detailed look at the film’s groundbreaking visual effects, set design, and production challenges. The issue also includes an interview with legendary matte painter Peter Ellenshaw and a retrospective on the best (and worst) genre films of the 1970s. The magazine is in very good condition, with only minor wear along the edges. Please see the photos for details—the item shown is the exact copy you will receive. All issues are shipped in a protective plastic covering, and combined shipping is available upon request.
A superb collectible for fans of Disney’s foray into dark sci-fi, visual-effects history, and late-1970s/early-1980s science fiction cinema.
Table of Contents
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5 – The Black Hole
Paul M. Sammon’s extensive report on the production of Disney’s space odyssey, featuring interviews with 25 artists and technicians who helped bring its visual grandeur to life. -
35 – Visions: Peter Ellenshaw
An interview with the renowned matte painter and effects artist, reflecting on over four decades of work, culminating in The Black Hole. / By Paul M. Sammon -
72 – Best of the Seventies
Frederick S. Clarke surveys the highs and lows of the decade, celebrating classics while calling out lesser efforts in horror and sci-fi.
Reviews
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The Black Hole – Steven Dimeo – p.68
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Meteor – Steven Dimeo – p.70
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Salem’s Lot – Glenn Lovell – p.69
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Star Trek: The Motion Picture – Kay Anderson – p.65
Condition Notes:
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Very good condition, with minor edge wear (see photos).
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The exact item shown is the one you will receive.
Shipping & Handling:
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Combined shipping available upon request.
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Each magazine ships with a plastic protective sleeve.
A well-preserved double issue offering a comprehensive chronicle of The Black Hole, with rare insights into Disney’s ambitious venture into serious science fiction and the artistry of Peter Ellenshaw—an essential piece for collectors of genre cinema and visual-effects history.