Big-Time Tennis, Big-Time America: Savitt, Sedgman, and the Golden Age of the Courts in 1951

Big-Time Tennis, Big-Time America: Savitt, Sedgman, and the Golden Age of the Courts in 1951

When readers opened the August 27, 1951 issue of Time Magazine, they stepped into a world where sports were not just entertainment but symbols of cultural prestige, national pride, and generational change. The feature article, “Linesmen Ready?”, transported its audience courtside to the U.S. National Tennis Championships, spotlighting stars like Dick Savitt, Frank Sedgman, Tony Trabert, and Art Larsen.

In the summer of 1951, tennis was undergoing a transformation. Once considered a genteel pastime for the privileged, the sport was now moving toward a more global and competitive era. The rivalries on the court reflected not only athletic skill but also the shifting dynamics of a postwar world in which sports were becoming international spectacles.


By 1951, the United States was entering a new phase of postwar prosperity. The anxieties of World War II and the early Cold War were ever-present, but so too was a booming sense of leisure and consumption. Sports played a key role in this cultural climate. Baseball was still the national pastime, but tennis — long associated with exclusivity — was becoming more accessible and glamorous, thanks to media coverage and international stars.

Time’s feature captured this moment of transition. Players like Dick Savitt, who had stunned the world by winning the Australian and Wimbledon titles earlier that year, represented a new type of athlete: powerful, self-made, and driven. Australians like Frank Sedgman symbolized tennis’s growing global reach, while veterans such as Bill Tilden and Ellsworth Vines connected the 1950s game to its golden-era roots.

This issue was significant because it reflected how postwar America was redefining itself through culture and sport. Just as the nation was establishing dominance in politics and economics, it was also asserting itself on the courts. Tennis stars became cultural ambassadors, embodying discipline, glamour, and international rivalry.


The article “Linesmen Ready?” was a perfect example of Time’s editorial genius. It didn’t simply list winners and losers. Instead, it captured the atmosphere of the West Side Tennis Club in Forest Hills, New York — the sweltering August heat, the buzz of spectators, the white-shirted athletes lunging across grass courts.

The writing was sharp, playful, and descriptive. Time emphasized not only the technical skills of players but also their personalities. Savitt was portrayed as a powerful hitter with a game of “overwhelming” advantages, while Sedgman’s quickness and charm made him a fan favorite. The magazine even noted how the sport’s glamour attracted global attention, with players traveling across continents in pursuit of titles and exhibitions.

For readers who had never set foot at Forest Hills, the article made them feel like they were there. For those who followed tennis closely, it offered analysis and narrative flair that elevated the sport beyond box scores. This was classic Time: turning current events into cultural commentary.


  • The Rise of Dick Savitt – A relatively unknown player before 1951, Savitt shocked the tennis world by winning both the Australian Championships and Wimbledon. Time highlighted his combination of power and poise.

  • International Flavor – Australians like Sedgman and Americans like Trabert embodied the growing global rivalries in tennis. The sport was no longer confined to Europe and America; it was international.

  • The Legacy of Veterans – Photographs of Bill Tilden, Ellsworth Vines, and Don Budge reminded readers of earlier eras while underscoring how the game had evolved.

  • Tennis as Travel and Lifestyle – Players were no longer amateurs confined to seasonal tournaments. They were globe-trotting professionals, moving from South America to Europe to the U.S., showcasing how sport was becoming a full-time career.

  • Glamour and Competition – Time made clear that tennis was no longer just a country-club pastime. It was an arena of fierce competition, public adoration, and international prestige.


The cover of the August 27, 1951 issue of Time featured a crisp photograph of tennis action, emblematic of the magazine’s mid-century approach: realism, immediacy, and cultural relevance. Unlike publications that favored illustration, Time insisted on photography to show readers the world as it was.

Inside, the layout balanced narrative text with striking black-and-white images of tennis stars in motion. Shots of Savitt, Sedgman, Trabert, Larsen, and others captured the athleticism and drama of the sport. The typography was bold but clean, reflecting Time’s ability to make complex stories digestible for a wide audience.

The editorial style blended sports journalism, cultural commentary, and visual storytelling. Time didn’t just report on tennis; it explained why tennis mattered in the broader cultural moment. This combination made it one of the most influential newsweeklies of its era.


For collectors today, the August 27, 1951 issue of Time Magazine is highly desirable.

  • Sports Milestone – It captures one of the great moments in tennis history, when Dick Savitt and Frank Sedgman were reshaping the global game.

  • Cultural Snapshot – Beyond tennis, the issue reflects postwar leisure culture, advertising trends, and the aesthetics of 1950s America. Ads for Sheraton Hotels and Old Overholt Whiskey provide authentic glimpses into consumer life.

  • Historical Artifact – Original issues are not just magazines; they are primary sources, showing how Americans in 1951 read, thought, and dreamed.

  • Collector Demand – Sports-related Time covers are especially collectible, appealing not just to magazine enthusiasts but also to tennis historians and fans of mid-century sports culture.

Owning this issue is like owning a piece of both sports history and Cold War-era culture.


Vintage Time magazines from the 1950s endure as some of the most fascinating collectibles because they merge journalism, culture, and design. They preserve the immediacy of their time: the language, the images, the anxieties, and the aspirations.

For tennis fans, the August 27, 1951 issue is invaluable. It reminds us that long before the Open Era and modern superstars, players like Savitt, Sedgman, and Trabert were laying the groundwork for professional tennis as we know it today. For cultural historians, it is a window into postwar optimism, consumer culture, and the rise of global sports.


The August 27, 1951 issue of Time Magazine is far more than a sports story. It is a vivid portrait of an era when tennis embodied the glamour, discipline, and global ambition of postwar America. By capturing stars like Savitt and Sedgman in action, Time documented not just a tournament, but a cultural shift: the transformation of tennis from a genteel pastime to a truly international sport.

For today’s readers and collectors, this issue remains a powerful artifact. It shows how sports reflected the broader mood of a nation eager to prove itself on every stage — political, economic, and athletic. Holding a copy is like holding a moment when America, through tennis, was declaring itself ready for the world.


If you’d like to explore this issue or others like it, we invite you to browse our complete archive of original Time magazines:

👉 Browse Original Time Magazines Collection

From the 1920s through the late 20th century, you’ll find thousands of issues covering politics, culture, music, art, and world events. Each one is a preserved artifact, a time capsule of its era.

The August 27, 1951 issue is just one example — a moment when American tennis took the global stage, and Time captured the sport, the stars, and the spirit of a generation.

Don’t just read history. Hold it in your hands.

Time

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